Issue 255 - October / November 2024 www.signlink.co.uk CNC Routers & Software ▲ We ask professionals in the finishing sector their advice on CNC technology Page 39 Mimaki launches new kit Four new machines have been launched by Mimaki Europe for signs and graphics Page 14 HP celebrates diversity HP has celebrated diversity and inclusion with its recent ‘Portraits of HP’ project Page 16 Neon Signage Rob Fletcher speaks with Neon Creations about working to keep neon alive Page 36 The Sign Show 2025 The team behind The Print Show has revealed it will host The Sign Show 2025 Page 34 FASTSIGNS celebrates success The signage franchise has reflected on recent appointments and openings Page 08
3 NEWS Industry 06 Business 08 kit & media 12 people 16 Rowan Freeman has been appointed as a director at Dragon Group applications 20 SPECIALS Under the Hood: Kornit Apollo 24 industry tips 26 Under the Hood: JWEI JCUT 29 Adventures in sign painting 32 the sign show 34 A new trade show for the UK signage industry has been launched by the team behind The Print Show neon signage 36 FEATURES cnc routers & software 39 We ask professionals in the finishing sector their advice regarding CNC technology vehicle Wrapping 43 leD signage 47 wrapping materials & techniques 51 CONTENTS Issue 255 October / November 2024 email: news@signlink.co.uk Issue 255 - October / November 2024 ISSN 2976-9213 IN THIS ISSUE 34 43 18 32 51 06 36 20
Issue 255 - October / November 2024 4 ISSUE 255October / November 2024 email: news@signlink.co.uk signlink signlink signlinkmagazine GHOST SIGN CORNER: FROST & SON, HALESWORTH, SUSSEX The market town of Halesworth, Suffolk, is host to a ghost sign with a celebrity connection. Tucked away in a short tunnel off the Thoroughfare shopping street are faded letters that once advertised the Frost & Son ironmongery. While the lettering for the business name is still quite legible, the line below that reads Ironmongers is all but lost. Frost’s son also had a son, David, subsequently the television star Sir David Frost (1939–2013). A little further along the tunnel, the ghost sign and this celebrity connection have been recognised with a historical plaque installed by the Halesworth Town Trail. It would be nice to see more ghost signs recognised with plaques, even when they don’t have celebrity connections like this one. Sam Roberts is the editor and publisher of BLAG (Better Letters Magazine) www.bl.ag and www.ghostsigns.co.uk Publishing director Page Tuck Sales director Chris Davies Lead contributor Rob Fletcher Contributors Brian Sims, Sam Roberts, Joe Arenella Contact Editorial: 0117 980 5040 Sales: 0117 960 3255 Production: 0117 980 5041 Accounts: 0117 980 5042 Find us online www.signlink.co.uk Socials All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical including photocopying, recording or any information storage or retrieval system without the prior consent of the publisher. The views expressed by contributors to Signlink magazine are not necessarily those of the publisher or editorial team and Link Publishing Ltd. takes no responsibility for any errors that may have occurred. The publisher also accepts no responsibility for the advertising content, including any error, omission or inaccuracy therein. Calls may be recorded for training purposes. Link Publishing Ltd. retains the right to publish and re-publish any images or information sent to the publication. Link Publishing Ltd, Unit G, Link House, Britton Gardens, Kingswood, Bristol BS15 1TF MEET THE TEAM Signlink Signlink SignlinkMagazine Printed on Sappi Magno Satin from EBB Paper CBP00015512002182040 Hello and welcome to SignLink October / November! I am writing with a bitter-sweet feeling as this is my last issue as your SignLink Editor. I will be passing the baton over to my colleague and friend David Osgar who I am sure you will all agree will do a stellar job, and I am leaving content in the knowledge that the magazine will be in very safe hands. A special mention has to go to Shaun, our production editor who has become a close friend, mentor, and ear for my ramblings. Still to this day, we have never not pulled it out of the bag! (Thanks to Shaun’s 100 years of experience). I'd also like to thank our long-time contributor Rob who consistently supports with anything and everything thrown his way, not least hoards of features each month. Rob, you're a star! I am very grateful for the opportunities I have had during my time at Link Publishing to bring ideas to the table and to continue to grow and build on the fantastic platform SignLink offers for the industry as a source of news and information. As I take on my next challenge in my new role, I am pleased to say I will be remaining in the industry and I very much look forward to catching up with everyone at the next event. Thank you for all your support and kind words over the years, they really do mean a lot. Carys x EDITOR S NOTE Carys Evans Tunnel next door to 8 Thoroughfare, Halesworth IP19 Photo: Wayne Tanswell Signwriter Editor Carys Evans carys@linkpublishing.co.uk Online editor David Osgar david@linkpublishing.co.uk Production Shaun Edwards shaun@linkpublishing.co.uk Sales Tim Hall tim@linkpublishing.co.uk Multimedia Journalist Jonathan Pert jonathan@linkpublishing.co.uk Accounts Kathryn Quinn kat@linkpublishing.co.uk Office therapist Skye
6 Issue 255 - October / November 2024 www.signlink.co.uk INDUSTRY / NEWS signlink signlink signlinkmagazine Ocean Outdoor highlights Olympic 2024 fan zones Ocean Outdoor, a provider of digital out-of-home (DOOH) and out-of-home (OOH) advertising, hosted a variety of fan experiences in partnership with Team GB and ParalympicsGB for the Paris 2024 Olympic Games and Paralympic Games. Across its DOOH estate, Ocean broadcast Olympic highlights on 48 digital screens in 13 cities as part of the company’s partnership with Discovery +. Clips were shown four times an hour for 19 days with sponsorship from adidas, GetPRO, and The National Lottery. Following its dressing for the 2024 Euros, Ocean Outdoor’s Marble Arch banner was turned into an Arc de Triomphe for the period of the games. The large wrap was created with sportswear brand, adidas, which designed the banner with three-time Olympic champion gymnast, Max Whitlock OBE. The fan zones were managed by Ocean Labs, a division of Ocean Outdoor dedicated to tech-driven experiences. The zones were located in areas like Battersea Power Station, Westfield London, St James Quarter in Edinburgh, and Bullring & Central in Birmingham. Signs Now UK completes charity cycle challenge Signs Now UK, a producer of fabricated and bespoke signage, undertook a 153-mile cycle challenge to raise over £2,000 for Birmingham Children's Hospital (BCH). The coast-to-coast (C2C) cycle challenge saw Carlo Matarazzo, sales director at the company, along with a collection of his colleagues, undertake a cycle route from Cumbria to Tyneside between the Irish Sea and the North Sea in just one day. The route is known to be a “rigorous” endeavour but was a challenge the team happily accepted in order to help children requiring specialised medical care. This year the team is celebrating its tenth anniversary of fundraising after undertaking several challenges to raise money for BCH. So far the company has raised over £24,000 for the hospital. In 2022 Signs Now UK celebrated 25 years of trading with three of its staff having worked for the company for over 20 years. UK Graphic Awards shortlist announced Members of the wide-format print industry are preparing for The UK Graphic Awards. The awards recognise some of the most impactful wide-format digital print projects produced in the UK during the past year with winners announced in a gala dinner in Birmingham on October 15th. Awards include Wide-Format Print Company of the Year, with the category split into two subcategories for companies with under 30 and over 30 employees respectively. Nominees in the over 30 employees category include FaberExposize, GES UK & Europe, and Service Graphics. Speaking on LinkedIn, Service Graphics, which has been nominated in multiple additional categories, said: “We are honoured to be recognised in multiple categories including the Green Award for Octink. A huge thank you to our incredible teams and partners for making this possible. Let’s bring these awards home!” Octink is a trading division of Service Graphics, specialising in producing display graphics, site hoardings, and signage solutions. Another company nominated for multiple awards is previous winner, Imageco, a wide-format print and signage company with a focus on sustainable products. The company has been nominated in five categories: Wide-Format Print Company of the Year (under 30 employees), Branded Interiors, Exhibitions, Live Events, and The Green Award. Imageco production coordinator Isabel Shanahan has also been nominated in the Rising Star category. Speaking to SignLink about her nomination, Shanahan commented: “I am absolutely thrilled to be shortlisted, it feels like an achievement in itself. It is great to be recognised for my work within the industry, it means a lot to me and has definitely given me a confidence boost.” Imageco managing director, Nathan Swinson Bullough, added: “I am very proud of Isabel, her hard work, enthusiasm, and progression is a credit to her. She is well worthy of this recognition and has a bright future ahead of her.” Embrace Building Wraps, a provider of large-scale building wraps and printed site hoardings, is a previous winner of the gold award in Construction. The company is again nominated in the Construction category this year, for a building wrap created for client, IKEA. Also speaking to SignLink, managing owner of Embrace Building Wraps, Gregg Forster, explains the excitement at the company: “We are thrilled to be shortlisted this year. A lot of hard work and effort went into our project for IKEA at 214 Oxford Street.” The awards will be judged by an international panel of wide-format print professionals. Of all the nominees, one winner will also receive the coveted title of Best in Show. Among those supporting the event this year are Amari Plastics Manchester, Soyang Europe, Premier Paper, Contra Vision, MTWO, Spandex UK, and ADAPT. Award winners will be announced at a gala dinner in Birmingham on October 15th Fans at Battersea Power Station. Image: Charlie Round Turner Team members from Signs Now UK, Amari, and Birmingham Children's Hospital Charity By Jonathan Pert By David Osgar
BUSINESS / NEWS 8 www.signlink.co.uk signlink signlink signlinkmagazine Issue 255 - October / November 2024 FASTSIGNS UK reflects on recent appointments and centre openings Signage franchise, FASTSIGNS UK, has reported a successful first half of the year with a “flurry” of appointments and centre openings across the UK. In March, the franchise entered Kent for the first time with the opening of FASTSIGNS Tunbridge Wells. Franchisee Nik Mather brought a background in hospitality to the role and has been servicing businesses in the local area with signage, graphic design, installations, and project management. The brand also expanded into the East Midlands with the opening of its second Leicestershire-based franchise, FASTSIGNS Leicester North. Yaser Khan is the franchisee and centre manager and brings experience as a brand designer at well-known hospitality brands. Following the opening of two new centres, FASTSIGNS’ franchise network is now up to 23 centres across the UK. There have also been a number of appointments across the centres including the appointment of 23-year-old sign-maker Athena Kolyos and Michele Hendry as office manager at FASTSIGNS Crawley, bolstering the company’s growing female-led team. FASTSIGNS Portsmouth appointed a new internal sales lead, Liam McCutcheon, and FASTSIGNS Sheffield welcomed local entrepreneur, Martin Slater, to the centre as its new owner. Elsewhere, Anil Shani took over the reins at FASTSIGNS Milton Keynes. Internally, Rebecca Parks has been promoted from executive assistant to operations manager and Emily Healthcote to senior business consultant. Both are based at FASTSIGNS UK’s Staffordshire HQ. John Davies, managing director of FASTSIGNS UK, comments: “We remain focused on creating a culture of collaboration, built on expertise, which is why we invest heavily in training and development for all our team members.” PONGS and CMYUK renew their partnership The exclusive UK partnership between PONGS and CMYUK has been renewed which the companies say marks a significant advancement in their shared strategy to deliver “exceptional products and services to customers”. As part of this renewed agreement, CMYUK will now be the sole distributor of PONGS in the UK. According to the companies, a key highlight of the partnership is PONGS’ “unwavering commitment to sustainability”, with the manufacturer developing eco-friendly textiles that meet rigorous environmental requirements, significantly reducing their ecological footprint. Bernd-Peter Lautenbach, chief executive officer of PONGS, adds: “By recommitting to our exclusive distribution agreement with CMYUK, we eliminate any market confusion.” [L to R] Robin East, group chief commercial officer of CMYUK and Bernd-Peter Lautenbach, chief executive officer of PONGS By Carys Evans Global appointed for large UK contract Media and entertainment group, Global, has won an advertising contract for Network Rail’s roadside outdoor estate, a vast portfolio with advertising sites in city locations around the UK. Network Rail’s estate is considered the largest roadside contract in the UK with Global awarded exclusive rights to manage the advertising for over 1,400 sites. The sites include digital out-of-home (DOOH) billboards across cities including London, Manchester, Birmingham, Edinburgh, and Leeds. Global is one of the largest outdoor media owners in UK with over 250,000 sites. Its extensive portfolio is said to reach 95% of the UK population and includes 12 major airports, the London Underground, and 98% of the UK’s bus fleet. Chris Forrester, director of commercial for outdoor at Global, explains: “We are delighted to have won the contract and look forward to working with Network Rail for another seven years.” Hamish Kiernan, commercial director at Network Rail, adds: “We are pleased to continue our relationship with Global for a further seven years. We are looking forward to seeing the ambitious investment plans come to fruition, creating some of the most premium and iconic digital screens across the country.” Describing the details of the contract further, Kiernan explains: “Any advertising revenue generated across our portfolio is invested back into the railway, which means this partnership will not only deliver engaging content to millions but will also benefit our customers through rail reinvestment.” RMC Digital Print acquires Modular Sign System division Large-format trade printer, RMC Digital Print, has purchased the Modular Sign System (MSS) division of Workshop2 Limited. Workshop2 Limited designs and markets signage and display products, and this strategic acquisition will be a permanent cessation of the HB Modular Sign System (MSS) marketing, sales manufacturing, and supply by Workshop2 Limited. This includes the stock of material, machinery, and the right to use and market the MSS product under the brand name ‘HB Modular Sign System’. According to RMC Digital Print, the transition is expected to be seamless with operations continuing under the RMC Digital Print brand. The company has assured customers that they can expect the same level of service and quality. By Jonathan Pert RMC Digital Print has acquired the Modular Sign System division of Workshop2 Limited FASTSIGNS Crawley has expanded its growing female-led team with the appointment of a signmaker and an office manager Global is one of the largest outdoor media owners in the UK with over 250,000 sites
BUSINESS / NEWS 10 www.signlink.co.uk signlink signlink signlinkmagazine Issue 255 - October / November 2024 Prosigns expands with a new strategic acquisition Prosigns, which specialises in signage for the UK housebuilder market, has acquired Centurion Signs, a producer of print and signage for the hospitality and retail markets. Based in Glasgow, Prosigns was established in 2008 and works with a range of different clients including Taylor Wimpey. By merging with Centurion Signs, which is based in East Kilbride, the two companies hope to protect jobs and create two sustainable businesses in the process. In a comment posted by Scottish Construction Now (SCN), Alex McGreth, managing director of Prosigns, believes the acquisition has made the company Scotland’s second-largest signage and graphics company. “We’re really excited to be looking ahead to a bright future that brings together our vast experience at Prosigns, combined with the superb quality that Centurion has been delivering for its range of customers since 1971.” McGreth added: “Our strategic vision is to fully design, fabricate, manufacture and install each of our customer’s projects. This comprehensive approach will allow us to maintain complete control over the quality and delivery of every aspect of each job for our current customer base and new potential clients.” Previously the company invested in a Platinum Q3 Hybrid printer from Liyu UK which has allowed the company to grow and diversify the business. In a post on its website, Prosigns says: “Our latest bold move to acquire Centurion Signs is the next step for Prosigns, as we set our sights on future growth and stability for both operations.” Local MP attends ‘Moss Unveiled’ open day Wide-format print provider Moss UK recently welcomed its newly elected local member of parliament, Ian Sollom, alongside local business heads and community leaders, to its ‘Moss Unveiled’ open day. A series of speakers from across the business spoke as part of the event, presenting the continuous improvement programme and apprenticeship opportunities that are a part of the company’s vision for the future. Another key focus was sustainability, particularly Moss’ work on Environmental, Societal and Governance (ESG), which Moss presented as central to its print and graphics operations. Ian Sollom, Liberal Democrat MP for St Neots and Mid Cambridgeshire, spoke highly of the event, adding: “It has been a pleasure visiting Moss and hearing how a focus on sustainability has become fundamental to the business. “Moss is a great example of the difference local companies are making in St Neots and Mid Cambridgeshire.” Attendees at ‘Moss Unveiled’, including managing director of Moss, Michael Green [third from left, back row] By David Osgar First UK installation of brand new AGFA Anapurna Ciervo A specialist in signage solutions, Freestyle Designs, has been announced as the first UK customer of the new Agfa Anapurna Ciervo H3200 print engine which was unveiled at FESPA Global Print Expo earlier this year. As an early adopter of the technology, Freestyle Designs will now be an Agfa Beta site and receive additional technical support when “rigorously” testing the commercial benefits of the new machine. The Anapurna Ciervo H3200 is a hybrid wide-format inkjet printer with 3.2m print width and has the ability to print on a range of rigid and roll media for indoor and outdoor applications. The printer uses UV LED technology and prints using 16 inkjet heads with the capability to use CMYKLcLm and white inks. Founder of Freestyle Designs, Jayson Godridge, saw the Anapurna Ciervo under a Non-Disclosure Agreement (NDA) in late 2023 before visiting Antwerp in Belgium where Godridge and his team saw the machine in its “Alpha form”. SwissQprint sells 2,000th machine worldwide Large-format manufacturer, swissQprint, is celebrating after selling its 2,000th machine. The milestone flatbed has been sold to SuperGraphics, based in Seattle. According to swissQprint chief executive officer, Kilian Hintermann, North America is an important growth market for the company which was founded 17 years ago. “The global community includes over 1,500 companies in some 40 countries around the world,” says Hintermann. “Out of the installed base of nearly 2,000, over 400 are more than ten years old and still in daily use – a testament to the machines’ longevity.” SuperGraphics has invested in a Nyala model, swissQprint’s most popular model and Europe’s best-selling large-format printer in its class for nine years in a row according to the EDP Awards. By David Osgar [R to L] Reto Eicher, one of the swissQprint founders with Carmen Eicher and Kilian Hintermann Staff from the newly merged Prosigns and Centurion Signs at Queenslie Industrial Estate, Glasgow [L to R] James Argent from Agfa and Jayson Godridge, owner of Freestyle Designs
12 www.signlink.co.uk Issue 255 - October / November 2024 KIT & MEDIA / NEWS signlink signlink signlinkmagazine Graphtec GB launches the Graphtec CE8000 in the UK Manufacturer of printing, cutting, routing, and other finishing solutions, Graphtec GB has launched the Graphtec CE8000 cutting plotter range in the UK. The range, which is now available for delivery, features a sleek design and an intuitive touch panel interface with the option of keypad functionality. Wireless connectivity through Wireless LAN makes it easy to integrate the cutter into workflow and a media assist function enables users to hold down the media while feeding, ensuring smooth and accurate cuts. Available in three sizes: CE8000-40 desktop model, CE8000-60 with stand, and CE8000-130 with stand, the series was on show on the Graphtec stand at The Print Show from September 17th to 19th. Ellen Wain, business development manager of Graphtec GB, says: “This is a great value range of cutting-edge machines designed for maximum efficiency and ease of use. The CE8000 series is designed to meet the demands of professional print service providers and lower-volume hobbyists.” TheMagicTouch launches a recycled DTF paper-based transfer Under its DTFMagic brand, TheMagicTouch has launched a new environmentally friendly recycled DTF paperbased transfer option – the TRANSFER DT paper by Felix Schoeller. Said to “improve the sustainability and certified eco credentials of this growing transfer technology”, the TRANSFER DT features a developed surface coating that offers a reduction of 67% less plastic than traditional PET transfers. When used with waterbased inks and new glycol-free options, the TRANSFER DT paper offers significant benefits to the environment. Additional features of the new product include high ink absorption and high transfer rates, resulting in a softer feel and improved durability. The matt receiver layer offers advantages such as the removal of potential static issues, no oil residues, warm peel, and lower temperature curing times. “The process delivers printed transfers for almost any light and dark textile or garment together with outstanding stretchability, high wash durability, and excellent colour reproduction,” TheMagicTouch, says. “Add to that detailed and intricate images as never seen before. DTF transfers can be applied to cotton, selected polyester, denim, canvas, synthetic fibres, and most performance fabrics.” New innovations introduced by Antalis Antalis has introduced a range of new materials and substrates. One of the recent launches is Image Magnet, a ready-to-use, pre-magnetised paper that can be printed on HP Indigo and selected dry toner devices. Available in SRA3, SRA3+, and B2 sizes, the sheets require no port-print magnetisation processes, and the grey backing sticks to any ferrous surface. Also released was the new generation of Coala MagForce, a magnetic VOC-free (a+) PVC film as well as a new PVC-free recycled banner in the form of Exten Prime-Ex PP Recycled. The latter solution is manufactured in Europe with post-industrial waste and is recycled in polypropylene (PP) and polyethylene (PE) waste streams. Comprising 500mic/490gsm banner materials, two options are available within the new range. The first is Exten Prime-Ex PP Recycled doublesided banner which is coated on both sides for UV ink adhesion and with 99% opacity for double-sided printing. The second is Exten Prime-Ex PP Recycled Frontlit Greyback banner featuring a matt white primed surface and a grey opaque backing. This option contains a minimum of 95% recycled plastic. Fashion brand showcases sustainable textiles Epson has set out to revolutionise the fashion industry by leveraging advanced pigment inkjet printing technology on Spiber’s Brewed Protein fibre in a partnership with Japanese fashion brand, YUIMA NAKAZATO. Brewed Protein materials are fibres, films, and other material types that are manufactured through fermentation (brewing) of plant-based ingredients. The innovative approach combines cutting-edge technology with more sustainable practices and is said to set a new benchmark for responsible textile production. Fashion designer Yuima Nakazato unveiled his latest collection at Haute Couture Week in the Palais de Tokyo which included the new solution. Nakazato’s collection featured a blended fabric composed of 70% cotton and 30% Spiber’s Brewed Protein fibre. Traditionally, printing onto blended fabrics requires different types of dye inks however, Epson’s Monna Lisa digital textile printing technology combined with pigment inks overcomes these limitations and enables high-resolution prints onto various fabrics. Due to not requiring steaming and washing processes after printing, Epson has also highlighted the environmental benefits of pigment inks compared to analogue dye inks. The new series was showcased on the Graphtec GB stand at The Print Show Spiber Brewed Protein fabric printed on with pigment ink by Epson’s Monna Lisa ML-13000 and tailored by Yuima Nakazato DTF Magic, a TheMagicTouch brand, has launched a new paperbased DTF transfer option Carys Evans Image Magnet is a ready-to-use, premagnetised paper Carys Evans Carys Evans Carys Evans
14 www.signlink.co.uk Issue 255 - October / November 2024 KIT & MEDIA / NEWS signlink signlink signlinkmagazine William Smith announces new VION VP5075 series Sign and graphics supplier, William Smith, has announced the introduction of the VP5075 series of digital print film, the latest addition to its VION digital print range. The polymeric calendered film is designed for mid-term applications on flat or slightly curved surfaces, for use in signage, promotional graphics, interior decoration, and flatsided vehicle graphics. William Smith has boasted reliable performance, with the adhesive reportedly lasting up to five years unprinted. The VP5075 series is available in both gloss and matt finishes, with white or clear variants. It is compatible with print equipment including latex, UV, solvent, and eco-solvent systems and is available in various adhesive options, including a light grey adhesive, which the company says: “offers excellent hiding power.” The series comes in widths of 1370mm and 1600mm, providing flexibility for various project requirements. The standard versions are equipped with a 135gsm siliconised kraft liner, while an additional V-Flow option has been announced with a 145gsm double-sided kraft liner that aims to provide enhanced stability during application. Eurobond launch sparks change in electronic sign assembly Eurobond Adhesives has launched tecbond 248 into the sign-making industry. The new product is a clear hot melt adhesive with exceptionally strong bonding abilities on smooth, shiny, and plastic surfaces. According to the manufacturer, paired with good open time and fast setting speed, this new product is set to become the “go-to adhesive” within the electronic sign market. Electronic signs feature components such as LEDs, circuit boards, and other electronic elements which need to remain securely attached to the sign housing. Tecbond 248 has been designed to withstand a range of temperatures as well as the stresses, such as vibrations and shocks, that come with signs being located in high traffic areas. Eurobond Adhesives says: “Once compressed, tecbond 248 sets almost instantly without the need for clamping or holding in place, facilitating faster working and allows for quicker assembly of electronic signs.” Multiple machines launched by Mimaki Europe Mimaki (exclusively distributed by Hybrid Services in the UK and Ireland) has launched four new printers to the sign and graphics, industrial, and textile markets: the Mimaki CJV200 Series of rollto-roll print and cut solvent machines; the Mimaki TS330-3200DS direct and transfer sublimation printer; the JFX200-1213 EX entry-level flatbed UV printer; and the TxF300-1600 DTF solution. Using the same print engine as the 330 Series high-production models, the CJV200 Series is Mimaki’s new range of entry-level solvent integrated printer/cutters. This range has been designed to be more accessible to printers of varying levels of experience to operate and maintain. New features include an ‘ink saving function’, a quicker printhead cleaning time, and Mimaki’s Dot Adjustment System (DAS). With a high practical print speed of 17sq m/h, the CJV200 offers one of the highest productivity levels for an entry-level printer and can handle seasonal variations in output volume. Mimaki’s Advanced Pass System (MAPS4) reduces banding and uneven colours and the Nozzle Recovery System (NRS) minimises downtime. Mimaki’s new SS22 solvent ink was also released alongside the printer. Building on the success of the SS21 ink, the new solvent ink doesn’t contain increasingly regulated ingredients such as GBL and comes in a paper cartridge. The CJV200-160 was on show on the Hybrid stand at The Print Show alongside the TS330-3200DS 3.2m-wide hybrid printer. The dual capacity of this machine enables users to choose the most suitable printing method based on the fabric and application, making it ideal for both soft signage and home textile. Designed to meet the needs of businesses seeking a mid-size printing solution, Mimaki has introduced the JFX200-1213EX entry-level flatbed UV inkjet printer. With a print area of 1.2m x 1.3m, the printer sits between Mimaki’s smaller-format UJF Series and the larger-format JFX Series. However, despite being around 30% smaller than the JFX200-2513 EX model, the new JFX200-1213 EX delivers the same image quality. Completing the lineup of new launches, the TxF300-1600 is the latest addition to Mimaki’s Direct-to-Film (DTF) range and increases productivity by 30% compared to the TxF300-75. Due to a maximum print width of 1.6 metres, the TxF300-1600 can produce garment printing but also larger items such as interior fabrics and floor mats. In addition to the four new products, Mimaki has announced the EMEA launch of the CFX Series of high-end flatbed cutting tables previewed during FESPA 2024. The polymeric film is designed for mid-term applications on flat or slightly curved surfaces Eurobond has launched a new adhesive for electrical signs Carys Evans Pictured: The new Mimaki CJV200-160, an entrylevel flatbed UV printer By Jonathan Pert Carys Evans
PEOPLE / NEWS email: news@signlink.co.uk 16 Issue 255 - October / November 2024 www.signlink.co.uk Astley Signs welcomes ‘The Services King’ to its HQ UK supplier of signage, Astley Signs has welcomed service station enthusiast and social media influencer, Rich Cross aka ‘The Services King’ to its Gateshead head office. Cross has been passionate about service stations since childhood and travels across the UK rating them. His enthusiasm and knowledge enable him to update Motorway Services Online to ensure it is the UK’s largest motorway services database. Astley provided Cross with a tour of its 62,000sq ft custom-built facility in Gateshead, demonstrating the sheer scale and capacity of its offering, especially in the PFS (petrol filling stations) industry. Reflecting on his visit, Cross said: “I spent time with key members of the Astley team who showed me around the factory. Astley is one of the only few signage companies withing the UK which manufactures all products in-house as well as installing them.” Astley has produced signage for brands within the PFS sector including JET, Texaco, BP and MFG, as well as grocery clients such as Sainsbury’s and the Co-operative. HP celebrates diversity and inclusion with ‘Portrait of HP’ HP and members of the HP UK&I team have taken part in ‘Portrait of HP’, an initiative created to pay tribute to team members’ time with the business and their own heritage. The project meant working with Hampshire-based print business JONDO UK to produce special portrait prints on the company’s HP Latex 3600. The idea for the project came from Rodrigo Moctezuma, HP UK&I Ink & Media category manager, who wanted to combine his passion for photography with HP’s mission to celebrate diversity and inclusion. Employees took part in several photoshoots which included conversations with Moctezuma about their time at HP, their lives outside work, and their heritage. Each person’s interview and pictures were published in the company’s in-house magazine. Fujifilm also recently used a magazine to celebrate diversity and inclusion, both internally and externally, in its Women4Women magazine which celebrated women working in print at the company. Photographs for ‘Portrait of HP’ were also printed in wide format and placed at HP’s ‘Kick-Off’ event before being moved to the main HP UK office in Reading. Speaking about the project, Moctezuma says: “At HP, we want to be the most diverse company and celebrate the history of our many colleagues. I wanted to produce something that would create discussion and impact while we are telling our stories, with this project being a way that we could humanise this to show the story of HP and its staff . “Each picture, including those that were not printed for the Kick-Off event, tells a story. The Portrait of HP series as a whole talks about the history, diversity, and inclusion of HP and, most importantly, the people that work here.” JONDO UK, which printed the pictures for Kick-Off, has worked with HP for a number of years, the company currently runs five HP Latex machines as well as a HP Stitch 500 dye-sublimation printer. Dan Armstrong, JONDO UK’s commercial director, comments: “This project has been a fantastic experience for us at JONDO UK. It not only showcases the amazing quality that can be achieved with HP's technology but also underscores our shared commitment to sustainability.” Danny Butterfield announced as new DTB Southern sales manager DTB, a provider of decorated garments and textiles, has announced its newly appointed Southern sales account manager, Danny Butterfield. DTB is formed of three divisions – DTB Decoration, DTB Wholesale, DTB Bespoke, and DTB Europe. The company offers services such as screen printing, embroidery, bag branding, and garment decoration. Speaking about his appointment, Butterfield says: “It is brilliant to be joining such a well renowned and respected team in DTB. After 13 years in hats, I am ready for the next challenge and the opportunity to work with Clive and the entire DTB team is the perfect fit for me. It is incredible how closely our visions, beliefs, and experiences align, and I am delighted to be on board.” Clive Allcott, commercial director at DTB, adds: “Danny’s global experience in driving significant business growth, his knowledge of the promotional and branding market, and his expertise in building long-term partnerships will be invaluable as we continue to strengthen and grow DTB.” The 'Portrait of HP' project was showcased at HP’s annual ‘Kick-Off’ event where wide-format photographs were placed on stage Danny Butterfield at DTB’s factory and offices in Hold Dalby, Leicestershire [L to R] Sam Richardson, Astley’s digital marketing executive; Rich Cross, Service Station Enthusiast; and Anth Lumsden, Astley’s senior contracts manager By David Osgar By David Osgar By Carys Evans
PEOPLE / NEWS email: news@signlink.co.uk 18 Issue 255 - October / November 2024 www.signlink.co.uk Jon Hutton officially joins FESPA UK Association FESPA UK Association, a group that supports the graphic, signage, and specialist print sectors in the UK, has announced Jon Hutton as its new business development executive. Hutton has already worked with the association for the past three years playing a big role in the development of the Waste Accreditation and The Waste Academy initiatives. Hutton has also become a familiar face at trade events such as FESPA Global Print Expo and The Print Show, due to his knowledge regarding waste management and sustainability. In his new role, Hutton will help with daily operations and providing support to FESPA UK members. Speaking about his new role, Hutton says: "After working with Suzi and the team for the past few years, I'm thrilled to officially join FESPA UK. The landscape of sustainability within our industry has improved immensely over the last few years, with FESPA UK being a key driving force, and I'll continue to push this agenda forward.” Suzi Ward, managing director of FESPA UK, adds: "We have thoroughly enjoyed collaborating with Jon over the past three years. His positive impact on our team has been immense, and his personal support has been invaluable as I have worked to develop and improve FESPA UK." Rowan Freeman appointed director at Dragon Group Rowan Freeman has been appointed as a director at Dragon Group after six years at the company. The group comprises of Dragon Signs, Dragon Digital, Route Media, Sportin Wales, and Colour Studios and is headed by managing director Rhys Harrington. Significant investment has been made into the group recently with a refresh and rebrand. Freeman has amassed almost a decade in creative, administrative, and management roles, and her focus will now be on sustainability, organic growth, and fostering new partnerships in multiple sectors nationwide. In particular, Freeman will focus on Colour Studios, which Dragon Group acquired just last year. Since the acquisition, there has been significant investment in machinery and the buildings in Radstock, with the experience and skill of the existing team being retained. “Sustainability is the core focus as a Group, in our journey to becoming net zero and for the loyal clients we have in Wales, the UK, and overseas,” Freeman says, adding: “I am thrilled to now be in this position. “It is far more than a job and allows me to be creative and work alongside some hugely talented people whose skills cross over and complement each other across the Group. I would like to thank everyone for their support, I’ve been very lucky to have a great network of friends, family, and colleagues who have inspired me to believe in myself.” Managing director, Rhys Harrington, adds: “Rowan is an asset to the Group; she has been a valuable member of the team for more than six years and is already making strides in her new role as director. She has a great vision for Colour Studios and its place in the market, which will help us to continue raising standards and our reputation. “We wish her the best of luck for the future and I’m sure she will have a big impact on our strategic direction and especially our efforts to lower our carbon footprint and become a net zero organisation.” Rowan Freeman has been appointed a director at Dragon Group after six years at the company Jon Hutton, FESPA UK’s new business development executive By Carys Evans Hybrid Services expands sales team with appointment Hybrid Services, the exclusive UK and Ireland Mimaki distributor, has expanded its sales team with the appointment of long-standing print industry professional, Andrew Edwards. The company has hired Edwards for the newly created role of Partner Sales Manager (Signs & Graphics). Edwards will work alongside Martin Southworth who takes the role of Partner Sales Manager (Industrial Products). Andy Gregory, sales director at Hybrid Services, comments: “Andrew has been selling, promoting, and supporting wide-format inkjet printers, flatbed cutters, and workflow software to end-users and resellers for over 20 years, and brings valuable knowledge and experience to our business.” Edwards adds: “The opportunity to join the Hybrid Services team has allowed me to explore a new and exciting range of products from a brand I have always admired.” Andrew Edwards has joined Hybrid Services in the newly created role of Partner Sales Manager (Signs & Graphics)
20 Issue 255 - October / November 2024 www.signlink.co.uk APPLICATIONS / NEWS Warner Bros. Pictures has marked the upcoming release of Beetlejuice Beetlejuice, the long-awaited sequel to Tim Burton’s 1988 cult classic, Beetlejuice, with a striking out-of-home (OOH) campaign. Beetlejuice Beetlejuice was released in cinemas on September 6th and in preparation Westfield Stratford City, London, was decorated with vinyl app- lications, large-format posters, and digital out-ofhome (DOOH) screens. The standout of the installation was the covering of the Meridian Steps which were decorated with Beetlejuice’s signature black and white stripes (based on his iconic suit) as well as large printed beetles and the message and catchphrase: “You’ve waited an eternity for this” and “The juice is loose”. The OOH project has been organised by media agencies PHD and Kinetic who both worked with Ocean Outdoor to install the media at Ocean Outdoor’s locations. Beetlejuice Beetlejuice stars Michael Keaton as Beetlejuice along with his 1988 co-stars Winona Ryder and Catherine O’Hara. Directed by Tim Burton the film also stars Monica Belluci, Willem Dafoe, and star of Netflix’s Wednesday, Jenna Ortega. The film recently had its premiere in London’s Leicester Square which was transformed into a spooky graveyard filled with large banners, signage, 3D models, and interactive experiences sponsored by drinks brand, Fanta. Setting the juice loose in London Beetlejuice Beetlejuice took over Westfield Stratford City with a spooky OOH installation earlier this month By David Osgar Landmark installation by Moss at London’s Paddington Square Two significant pieces of artwork have been installed for a new art programme at West London’s newest destination, Paddington Square, owned by Great Western Developments. The artwork was produced in collaboration between Moss and renowned artists Catherine Yass and Kathrin Böhm along with a multi-faceted project team. Curator Stella Ioannou of Lacuna Projects, Mtec Fine Art, Gardiner & Theobald LLP, and Blu-3 made up the project team which worked together to produce the public arts programme. Utilising its on-site studio, Moss worked closely with both artists for colour testing, frame and lighting design, and fabrication to ensure the printed artwork perfectly complemented the architectural design of the new Renzo Piano-designed building. Catherine Yass’ artwork required a hands-on approach, deriving from 16mm film negatives digitally transferred and composed. As a result, she and her team visited the Moss facility three times for colour tests, with six additional print tests sent to her studio. James Gifford, studio manager at Moss guided this rigorous process, ensuring the final piece achieved the desired depth and flow. Highly skilled crews from Hi-Maintenance and Industrial Abseiling supported the installation with the entire install overseen by the Moss project management team. Both Yass and The Showroom team, along with Lacuna Projects, attended the final reveal of the project. The final product of Yass’ installation spans 152sq m, printed on durable semi-coated front-lit PVC to withstand the elements. The sustainable credentials of Moss were paramount to Yass’ installation and included working with the most appropriate materials available as well as minimising recycling and any waste and cut offs. Böhm’s piece covers 92sq m and is part of a three-year rotational programme in partnership with The Showroom and will be updated annually. The piece was printed onto Kavalan Sunlight Grey Back material, enabling Moss to offer an environmentally friendly option, with all off-cuts and unwanted samples disposed of within Moss’ recycling system. Once the artwork is changed, Moss will work with the artist and project team to determine whether it will be kept or recycled again. Megan Storey-Smith, project manager at Moss, says: “This project is a testament to the collaborative nature and technical expertise of all involved.” Catherine Yass’ installation spans 152sq m and was printed on durable semicoated front-lit PVC By Carys Evans
Every once in a while a machine hits the market that makes you take a step backwards as it redraws a number of lines you thought were there forever. Not only do you need to take a metaphorical step backwards when considering the new Kornit Apollo direct-to-garment (DTG) printer, you actually need to take a physical step backwards too due to its physical size. Looking at the machine, it is configured into two specifically different sections, one for the printing of the garment, the other for the drying of the printed product. Connecting the two is the loading section and next to it is the user interface; meaning the operator needs to be front and centre of the machine in order to operate it. In a very basic description, the garment travels to the right of the operator once it is loaded. Once printed, the garment drops below the printing line and reverses direction and travels to the left, along the length of the printing section and under the loading area. A 90-degree change in direction removes the garment from the cassette on which it was printed, prior to taking a second right turn as it passes through the drying section. This clever, ingeniously designed machine means a single operator is required to load, prepare, and remove the garments at the previously listed speed. This means production levels are set to soar whilst the manning level drops in the opposite direction. The Devil is in the Detail The layout description of the Kornit Apollo was deliberately simplistic to set the background for just how you get those 400 garments fully printed and dried without anyone touching them, but now for the detail as to how. Breaking down the process, the garment firstly is scanned with a hands-free device; this will now dedicate the machine to printing this one garment. The details for the finished product are stored on the machine and it then adjusts the size of the pallet dedicated to the garment. This is done via a robot system which adds or exchanges the required number of pallet sections depending on the garment size. The only operator interaction takes place next whilst the operator loads the virgin garment to the pallet dedicated to it. The loading is semi-automatic as the Kornit Apollo ensures the product is accurately positioned and evenly stretched to remove any slack or overtightening. This is only one of a number of elements of the design which ensure consistent product quality. The pallet now starts its unique journey through the machine, the first stop being the pre-treatment where a customised amount of fixation fluid is applied to the garment from the details scanned and stored by the earlier stage. As with most quality garment printing, a white base layer is needed and on the next station this is the same with the Kornit Apollo. Again, as each garment has a unique barcode, the specific amount and spread of white ink is applied, demonstrating yet another element of the quality circle. Garment Production Goes Automatic Mass production of digitally printed garments is now an easy and straightforward process, requiring minimum manpower with maximum production output. Brian Sims finds out more... Colour CMYKRG + W + Q.fix + Intensifier Inks NeoPigment Eco-Rapid Maximum print area 508 x 508mm Resolution 1200dpi Statistics UNDER THE HOOD / KORNIT APOLLO 24 Issue 255 - October / November 2024 www.signlink.co.uk
UNDER THE HOOD / KORNIT APOLLO 25 Issue 255 - October / November 2024 email: news@signlink.co.uk dependent element of the machine is running to optimum levels to ensure the products are dried ready for dispatch post-production. All in One Solution What needs to be considered with the detailed process above is each of the steps is being taken concurrently with each pallet being loaded. The machine is garment hungry as this is a continuous process with the operator needing to have the unprinted sheet piled ready to scan and load. Previously if you were seeking to print high volumes of garments the logistics would have been quite demanding having to print, stack, and dry them individually. Added to that, maintaining quality across the batch with a manual set of processes would be equally as problematic. Whilst the actual production is all contained within the machine, ensuring maximum efficiency levels, the Apollo DTG printer comes with Kornit’s exclusive RIP solution. Clearly there are a number of different software platforms available but K-RIP is designed to enhance production on garments meaning customisation is easy, and that colour accuracy for brand spot colours can be guaranteed. The Kornit Apollo DTG machine takes production to a whole new level of quantity and quality whilst maintaining excellent levels of sustainability and user safety. Whether your production is 1,000 T-shirts for a large publicity event or kit for the local football team across a range of sizes, the Kornit Apollo can deliver for any occasion. Next up is the feature item, the application of colour. The Kornit Apollo Dimatrix Starfire 1024 Twinflex head applies the standard CMYK ink set but with additional channels for red and green. Added to the range of colours that can be applied, the printheads can apply the ink at 1200dpi meaning the colour quality available for a garment is as high as that for general printing. The inks themselves are the NeoPigment Eco-Rapid from Kornit and as you would fully expect, they are fully compliant with the highest eco-standards and hold the OEKO passport certification. The machine takes a far wider view of sustainability as it also holds the Global Organic Textile Standard (GOTS) and is a Bluesign System partner. As described above, the pallet now drops and starts its journey onto the drying system in the other section of the machine. Each of the loaded pallets move quickly and seamlessly under the printing section which then rise to the other side so the top of the garments are ready for unloading. No operator intervention is needed to unload the garment as the pallet releases the product with the four corners delicately held as the machine moves the printed, but uncured garment, onto the drying conveyor. The large drying tunnel features Tesoma drying technology meaning the energy Each garment is prepared, precoated, and printed automatically meaning quality is totally consistent Brian Sims Principal Consultant, Metis Print Consultancy, www.metis-uk.eu
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