Issue 256 - December 2024 / January 2025 www.signlink.co.uk
3 NEWS Industry 06 The UK Graphic Awards returned for its fourth year celebrating achievements in wide-format print and signage Business 10 kit & media 14 people 20 DIGITAL 21 SPECIALS Under the Hood: Verve LED 2513 24 2025 predictions 28 SignLink asks members of the signage industry their thoughts on the trends and challenges expected in the new year industry tips 31 Adventures in sign painting 34 seasonal signage 36 FEATURES Wide-Format Print Kit Pt.2 39 We take a second look at some of the wide-format innovations released this year Lamination 43 Flatbed Vinyl Cutters 47 Point-of-Sale 51 CONTENTS Issue 256 December 2024 / January 2025 email: editor@signlink.co.uk Issue 256 - December 2024 / January 2025 ISSN 2976-9213 IN THIS ISSUE 31 34 08 12 43 51 28
Issue 256 - December 2024 / January 2025 4 ISSUE 256December 2024 / January 2025 email: editor@signlink.co.uk signlink signlink signlinkmagazine Publishing director Page Tuck Sales director Chris Davies Production Shaun Edwards Contributors Brian Sims, Sam Roberts, Joe Arenella Contact Editorial: 0117 980 5040 Sales: 0117 960 3255 Production: 0117 980 5041 Accounts: 0117 980 5042 Find us online www.signlink.co.uk Socials All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical including photocopying, recording or any information storage or retrieval system without the prior consent of the publisher. The views expressed by contributors to Signlink magazine are not necessarily those of the publisher or editorial team and Link Publishing Ltd. takes no responsibility for any errors that may have occurred. The publisher also accepts no responsibility for the advertising content, including any error, omission or inaccuracy therein. Calls may be recorded for training purposes. Link Publishing Ltd. retains the right to publish and re-publish any images or information sent to the publication. Link Publishing Ltd, Unit G, Link House, Britton Gardens, Kingswood, Bristol BS15 1TF MEET THE TEAM Signlink Signlink SignlinkMagazine Printed on Sappi Magno Satin from EBB Paper CBP00015512002182040 Editor David Osgar david@linkpublishing.co.uk Accounts Jan Thomas jan@linkpublishing.co.uk Sales Tim Hall tim@linkpublishing.co.uk Features Writer Rob Fletcher rob@linkpublishing.co.uk Accounts Kathryn Quinn kat@linkpublishing.co.uk Office Therapist Skye Multimedia Journalist Jonathan Pert jonathan@linkpublishing.co.uk Hello and welcome to SignLink December / January! It’s a privilege to be taking over as editor even if it’s a bit of a strange after being online editor for over three years. This new role comes after a whirlwind year which has included several big events, the launch of our new website, and the wrapping up of lots of work behind the scenes. What is most strange is taking over the reins from my former editor Carys Evans, who I worked with since I started at SignLink. Many members of the industry will have seen us both out and about interviewing and filming — experiencing many events together for the first time, such as FESPA Global Print Expo, drupa, and Hunkeler Innovationdays. It’s fair to say that I owe the majority of my knowledge of the industry and this new role to Carys and so I firstly want to thank her for all her support, lessons, and friendship over the years — it will all certainly come in extremely useful when undertaking this new role. Though I’m sure I won’t be completely giving up the DSLR camera anytime soon, thankfully we have our new multimedia journalist, Jonathan Pert, to help in creating more fantastic news, specials, and videos. Jonathan has a vast amount of experience in video production and content writing which has already been a great asset to SignLink. I’m sure the industry will continue to welcome him as warmly as it does everyone and I look forward to working alongside him, Rob Fletcher, Shaun Edwards, and the rest of the editorial/production team. As we start the new year it’s an appropriate time to both look back and ahead especially as there have been so many exciting events in 2024 and plenty more to come in 2025. Recently we got to attend the UK Graphic Awards, which was a fantastic opportunity to recognise the hard work of those in the sign and wide-format industries (read more on page 8) plus our Wide-Format Kit feature on page 39 really demonstrates how much exciting technology has been released on the back of events like FESPA and The Print Show. This issue also includes predictions for 2025 from many well-known and respected members of the signage industry (page 28). The article highlights the continuing themes of AI, sustainability, and embracing young talent, but also navigating challenges such as recruitment. I look forward to bringing you more commentary and news in the coming year and hope you all have a great holiday season and start to 2025! Dave EDITOR S NOTE Carys Evans VIDEO COVERAGE Scan the QR code to watch our video coverage over on our Sign7 YouTube channel
6 Issue 256 - December 2024 / January 2025 www.signlink.co.uk INDUSTRY / NEWS signlink signlink signlinkmagazine Ströer Media advocates for classic billboards Christian Schmalzl, chief executive officer of German outdoor advertising company, Ströer Media, has called on the out-of-home (OOH) industry to better integrate digital and static billboards, stressing the continued impact of classic OOH advertising in comparison to digital outof-home (DOOH). Schmalzl was speaking at the World Out of Home Europe Forum in Milan, in a talk entitled ‘All Digital: All Good?’. The event, which took place on November 4th and was run by the World Out of Home Organisation, brought together leaders from across the OOH sector to discuss industry trends and the future of OOH. In the talk, Schmalzl asserted that digitisation is driving the growth of OOH advertising, but also warned against neglecting the potential of classic static billboards. Outlining his suggestions to the industry as a whole, he mentioned that converting classic sites to digital screens “needs to go hand in hand” with leveraging new opportunities for creative and impactful solutions for advertisers within the sphere of classic billboards. “As most of the current momentum is digital, it’s crucial to not overlook the importance and unique selling points of classic OOH.” Schmalzl also spoke at the forum about a promising increase in the market share of the advertising industry for OOH campaigns. According to Outsmart, a trade body for the OOH industry, UK OOH revenues in the first quarter of 2024 were £292m, a 16.4% increase from the same period in 2023. Within that period, DOOH revenue grew 22.8%, while classic OOH grew 6.2%. Christian Schmalzl speaking at the World Out of Home Europe Forum in Milan By Jonathan Pert Tesco swapped out its well-known logo for photos of fresh produce in an out-ofhome (OOH) advertisement campaign. The campaign was created in collaboration with marketing agency BBHLondon. Titled ‘Icons’, aimed to showcase the idea that even without the Tesco letters, the brand's distinctive blue chevrons make it instantly recognisable. The campaign featured food photography by Will Cooper, with various food items representing the letters of Tesco's name in an abstract manner. Each of the billboard designs also contained Tesco’s slogan, ‘every little helps’. The OOH campaign which ran through October and November fostered a lot of debate online, with opinions split on if the campaign was effective. Abstract Tesco billboard campaign creates buzz online Investigations have begun regarding the appearance of shopfront signage for gambling company Betfred in the window of a well-known old department store. Heritage organisation The Bradford Civic Society has raised concerns that the window vinyl has been installed without the betting company seeking advertising consent or planning permission. Bradford Council has also weighed in, saying that the signs would be investigated by its planning team "as soon as possible." The vinyl sign was installed in the windows of the Betfred unit on Market Street. The building itself is within a Conservation area, and dates back to the 1870s. According to the Local Democracy Reporting Service, a spokesperson for Betfred said the company will "work with the council on this issue." The word ‘Tesco’ is represented through the first letter of each food item Enforcement officers investigating signage on vintage department store Make it Happen Signage Consultancy has announced an exclusive partnership with graphic installation company, CVI group, which includes the launch of a new workshop called the Under Wraps Bootcamp. The Under Wraps Bootcamp offers participants the opportunity to learn the entire process of wrapping including installation, which is advertised as a “hands on” course. Workshops began in October in Leicester and will continue to run into 2025. Included in the course will be training on artwork setup, aesthetics, aftercare hints and tips, and a series of wrapping demonstrations. The workshop is one of a range learning opportunities organised by Make it Happen, which is run by founder and chief executive officer, Sam Armstrong. Make it Happen launch wrapping workshop with CVI Group [L to R] Sam Armstrong from Make it Happen and Chris Edwards from CVI Group Branding company Ast has detailed a sustainable way to process used backing paper, which it is asking printing and signage industries to adopt. The processing of used silicone backing paper is seen as an industry-wide problem as there is not a sustainable way to process it. Jon Hutton from FESPA UK worked with Ast to implement a multi-stage process for used silicone backing paper. The system involves delivery of the backing paper to a wastepaper transfer station facility. The card core is separated from the silicone paper through guillotining. The silicone paper is blended with other grades of paper, shredded, and made into millsize bales for use by a paper mill. The silicone is then removed through a chemical process, and the remaining fibre is re-pulped. Ast announces sustainable way to process backing paper This process, according to Ast, allows for all materials to be either repurposed or recycled Betfred has been criticised for a window vinyl install
UK Graphic Awards celebrates achievements in wide-format print The UK Graphic Awards returned for its fourth year celebrating achievements in wide-format print and signage. The event was hosted at a new venue in the Hilton Metropole hotel in Birmingham. There were 14 awards up for grabs with categories including Branded Interiors, Construction, Exhibitions, Leisure & Hospitality, Live Events, Museums & Galleries, and The Green Award which recognises sustainability-focused projects. The awards were tiered, with Bronze, Silver, and Gold levels up for grabs, as well as Highly Commended winners in certain categories. Among the awards was the popular Rising Star Award which celebrates individuals who have made an impact in the print and graphic design industries. The Gold winner of the Rising Star Award this year was Isabel Shanahan, digital artworker and project coordinator at Imageco, with Kyle Wright of Signs Express Central Lancashire gaining the Highly Commended prize. Speaking after winning the award, Shanahan exclaimed: “I feel absolutely phenomenal, I’ve never felt so great in my life! It was a really important award for me to win.” Shanahan went on to explain the importance of encouraging young people in the print industry, as well as highlighting the work of women within print. “I know so many amazing young women in print that also could have won this award tonight, and they would have been just as deserving, as would many young men. It’s great to feel that young women in print are being taken seriously and appreciated.” Another winner on the night was Envision Media, which won the coveted Gold Award for Wide Format Printer of the Year, Under 30 Employees. After winning, Antonia Johnston, sales and marketing manager for Envision Media, said: “It was definitely an award we wanted to win, but we never imagined that we could get there because of the calibre of the competitors that we were up against. “Our directors are just hugely humble. They come from humble beginnings, just a small town in the North West, and to now be here and in this arena, it’s mind-blowing.” Sussex Sign Company was presented with its first UK Graphic Award, winning Gold in the Roll Out category. Speaking after receiving the award, managing director of the Sussex Sign Company, Norman Mayhew, said: “It’s absolutely amazing. I started the business 30 years ago on the 1st of January 1995 with my father-in-law, and this is the culmination of 30 years of hard work.” Speaking about the event, Mayhew added: “This is like the Oscars of the graphic industry, so we’ve just won an Oscar! I can’t tell you how excited I am, and I can’t wait to bring this back to the team.” The Gold Award for Best in Show was won this year by Moss UK. The branding and signage company also won Gold in the Live Events category for a Google-themed live event installation at the Tobacco Dock event space in London. With organisers Vantage being based in Ukraine, each year the awards show engages in fundraising efforts for the war in Ukraine. This year, a silent auction took place for Volunteers Support Ukraine, an organisation that provides essential aid to both soldiers and civilians affected by the war. The night included several big wins for people like Isabel Shanahan [above] and Norman Mayhew [below] By Jonathan Pert 8 Issue 256 - December 2024 / January 2025 www.signlink.co.uk INDUSTRY / NEWS signlink signlink signlinkmagazine
BUSINESS / NEWS 10 www.signlink.co.uk signlink signlink signlinkmagazine Issue 256 - December 2024 / January 2025 EFKA launches new webshop for customers EFKA Frame Solutions, a producer of aluminium fabric frames and LED lightboxes, has announced the launch of its new webshop, which is fully integrated into EFKA’s website. The webshop was first announced during FESPA Global Print Expo 2024, Europe's largest annual trade fair for signage and visual communications. According to the company, the new platform is designed to be accessible on all devices and provide features that simplify and speed up the ordering process. Features include the addition of a configurator with a step-by-step guide that navigates customers through the selection process when choosing products. Paul Tomlinson, sales director of EFKA, comments: “We are excited to present our new webshop to our partners. With this digital innovation, we are taking a significant step forward to make the calculation and ordering process for our customers even better, faster, and easier.” EFKA has plans for further developments to the webshop in the future. Tomlinson comments: “Feedback from partners plays a crucial role in this process, allowing us to continuously improve the user experience.” EFKA, which was founded in 1888 as a wholesaler in wooden frames, acquired DPI UK in 2023. The UK operation is based in the East Midlands, near to Castle Donington and East Midlands Airport. Its output ranges from one-off signage units to mass production roll- outs. The acquisition reportedly increased the company’s production capabilities within the UK, as well as providing larger support and resources from the Netherlands. Smith partners with B2B trade payment platform Mondu Trade signage company Smith has announced a partnership with B2B trade payment platform Mondu, to provide instalment payment plans for its new ROLLSROLLER sign-making flatbed applicator. Mondu is a payment solutions provider of flexible payment options to spread the cost of purchases. Using the Mondu system, Smith customers can pay for its ROLLSROLLER flatbed applicator in either three-month or six-month instalments. Mondu’s platform reportedly simplifies the purchasing process. According to Smith, customers can expect an instant application and, in most cases, an immediate decision. There are buyer fees associated with both of these instalment purchase options: an additional 2.49% in the case of three-month instalments, and 4.99% in the case of the sixmonth option. By Jonathan Pert Firstlite opens new LED testing facility Firstlite LED Systems, a supplier and manufacturer of LED modules to the UK signage market, has launched a new testing area at its headquarters in Gateshead. The new facility is designed to offer a space for performance analysis of its range of products as well as allowing customers to test their own signage designs. The facility is also equipped with cameras that allow sign-makers to test remotely, if they cannot visit the facility in person. Managing director of Firstlite, Megan Woodcock, says: “It was really important to have the testing space so that we can fully understand how our products perform. “Not only that, but we also wanted to offer our customers the opportunity to see the product in action within their signage.” Going into more detail about the new facility, Woodcock says: “We’ve created this space to help customers who may have a specific job, such as trying to eliminate shadows in complex signage. “Customers can bring their materials and we’ll provide the LEDs and adjust the setup to match their unique requirements.” Coloreel under new ownership It has been announced that Coloreel Group, a Swedish direct-to-embroidery thread dyeing print company, is resuming operations under new ownership. The company has relaunched as Coloreel International AB. In July of 2024, SignLink reported that the company had filed for bankruptcy. The company had struggled to develop business volume quickly enough to secure the necessary financing to keep itself in the clear. At the time the bankruptcy was declared, the business had over 90 customers in the global market and over 120 granted patents across 45 markets. The newly relaunched Coloreel International AB will remain headquartered in Sweden with a smaller dedicated team. Responses to the news on social media have been widely positive. One commenter on LinkedIn asked: “Good news, so we can start to sell Coloreel embroidery again?” However, not all responses were as enthusiastic. One commenter questioned: “Market said no once. What’s different in the business plan now?” Details of the new ownership and who will be included in the reduced team are yet to be announced. SignLink will continue to monitor the news on the company. By Jonathan Pert EFKA employed a space theme at its FESPA 2024 stand, describing its new webshop as a ‘launch to the moon’ Firstlite’s range of products include LED reels, “neon flex” units and cabochon lighting as well as a wide range of modules and fittings Smith is a part of the William Smith Group 1832, which includes William Smith, a supplier of selfadhesive film
BUSINESS / NEWS 12 www.signlink.co.uk signlink signlink signlinkmagazine Issue 256 - December 2024 / January 2025 Nova Aluminium Systems continues to invest and expand Nova Aluminium Systems, a supplier of aluminium signage and glazing systems, has detailed some of its latest developments which are helping the company supply aluminium solutions to signage suppliers across the UK. Following a company rebrand and several changes since the pandemic, Nova has emphasised its role as a supplier of flex signage in the UK marketplace and has invested significantly in its staff, machinery, and warehouse operations. Recently the company has installed a Bambu Lab X1 3D printer as well as a Tekcel EXR router and Henrob SPR riveter. The new machinery has allowed the business to expand its offerings and assist its customers with more materials and complete signage solutions. In the last 18 months the company has also installed a new powder coating facility, which Nova says is the longest oven in Bristol at 7m long. The facility has meant Nova has been able to help local companies with their powder coating needs. The new CNC machine was purchased by Nova in order to offer shaped panels and aid the fabrication of shaped flex boxes. This solution was complimented perfectly by the riveter in order to seamlessly rivet channel to panels and then powder coat if required. Speaking of the investment, Lisa Sperring, sales and marketing manager at Nova, says: “For the last 19 years we have been telling customers that we ‘can’t do that’ and now we can! It’s just a case of getting customers to think of Nova when they need a shaped panel, post, or rail sign.” Sperring adds: “We pride ourselves on our knowledge and customer service. Our sales team is very knowledgeable and if they don’t know the answer then someone in the production team will.” Nova has ensured that its ethos and beliefs are communicated in its latest offerings with a new website and branding to help to reflect its services. “Uniquely, we deliver goods on our own fleet of vehicles, using our own employed drivers so goods are guaranteed to be delivered on time and in one piece,” says Sperring, adding: “We’re not just a call centre, when you call for a quote or even just some advice, you will get a friendly voice and the advice you need, along with an email address for the person you have spoken with so you can easily contact us again.” Resolute opens R&D facility in “industry first” Printing and consumables supplier Resolute has announced the opening of a research and development (R&D) facility for direct-to-film (DTF) & direct-to-substrate (DTS) printing, in what it describes as a UK first for the printing industry. Resolute has acquired additional space at its premises, allowing for the R&D facility to be constructed opposite its headquarters. The R&D facility will be headed by Resolute’s global R&D director, Colin Marsh, who says: “We have big plans for this new facility. This industry is growing at a phenomenal rate and Resolute has always been at the forefront of DTF. “One of our latest projects, due to be revealed in Q1 of 2025, has pushed the R&D property acquisition forward as it requires a considerable amount of floor space. As we concentrate heavily on streamlining the DTF process with faster speeds and automation, we need a facility that allows our team to work behind closed doors.” By David Osgar Avery Dennison opens new Northern Wrap Center Avery Dennison has launched the AD Northern Wrap Center in Nelson, near Burnley. Located in the premises of car wrapping company Wrapped UK, the AD Northern Wrap Center will deliver Mactac and Avery Dennison product training including automotive and architectural wrap training courses. The courses will be led by trainers Ash Ellison and Mark Richardson. Ellison has been a specialist trainer for Avery Dennison since 2019, specialising in complete colour change wraps and paint protection films. Ellison also set up Wrapped UK in 2018, which now employs eight members of staff. Richardson has been a member of the Avery Dennison Specialist Trainers Network since 2011. Ash Ellison, specialist trainer at Avery Dennison, will be one of the lead trainers for the centre Nova, which is headquartered in Bristol, supplies and delivers aluminium solutions for the UK signage industry The new facility will open by 2025, ahead of Resolute celebrating its 15th year in business
14 www.signlink.co.uk Issue 256 - December 2024 / January 2025 KIT & MEDIA / NEWS signlink signlink signlinkmagazine HP releases new FS50 and FS60 latex printers HP has announced the launch of its HP Latex FS50 and FS60 series of wide-format printers. The printer series, primarily designed for the signage and décor industries, delivers a broad range of potential applications. The new printers reportedly have an up to 30% wider colour gamut than previous models. The HP Latex FS50 is modular and scalable, with superwide-format printing in mind, and can be adapted and expanded to address growing business needs. The machine can be upgraded to a ten-litre ink capacity, and it features user-replaceable printheads. The FS50 has reported print speeds of up to 89m² per hour. Announced alongside the FS50 and FS60 is HP’s Live Production software, a solution that allows print service providers to remotely manage their workflow. Users can use the software to control devices remotely and act on their printer queue in real time from a desktop or the newly launched mobile app. According to HP, its customers have emphasised the importance of remote-control capabilities, particularly in regions facing labour shortages. Recently HP Large Format announced a host of new endto-end print solutions and products, designed with the aim of boosting productivity and sustainability for the Architects, Engineering, and Construction (AEC) industry. Among the announced products was a redesign of the HP DesignJet T200/T600 Printer series 2025 Edition. The T200 series is said to be “the world's smallest large-format plotters”. The T200 is able to print multi-size A4, A, and A1/D sized projects, without needing to manually switch the media source. The HP Latex FS50 is modular and scalable, with an upgradable ink capacity and user-replaceable printheads By Jonathan Pert Epson has announced its latest printer for the signage printing market, the SC-S9100. The machine is designed for sign-makers and print service providers (PSPs), creating colour-accurate prints for a variety of large-format print applications. The company has claimed an up to 9% increase in productivity compared with its previous model, the SC-S80600. The 64-inch eco-solvent printer is tailored for production houses engaged in general signage, wallpaper applications, and direct printing on substrates such as clear film, vinyl, canvas, and photographic paper. The printer comes with 11 colours, including CMYK, red, orange, light black, light cyan, light magenta, green, and optional white. The inclusion of a new green ink expands the colour gamut, with the aim of delivering smoother gradations. Epson announces latest printer Guardian Exhibition & Display has launched full-scale production on a Vanguard roll-toroll printer installed at its Essex headquarters, with reportedly “unbelievable” results. The deal, handled by managing director of SEDO Large Format Solutions Andy McGuiness, represents the first roll-to-roll machine from Vanguard to be sold in the UK. The Vanguard VKR3200-HS UV-LED printer, launched on October 1st at Guardian Display’s Southend base-of-operations, is part of the company’s ambitions to transform to a full-service exhibition company. The company has claimed that the transformation will double its £2.2m turnover within the next two years. Features of the VKR3200-HS in comparison to previous models include a new Elysian ink series and an extended colour gamut. First Vanguard roll-to-roll printer sold in the UK Durst Group has announced its new P5 X printer system, which expands Durst’s range to include mid-range wide-format printing solutions. The new machine is a flatbed printer with roll options, designed for applications including large-scale decoration and specialty packaging. The P5 X offers ten colour channels which includes a range of inks from the P5 series, including CMYK, white, fluo, orange, violet, light cyan, light magenta, light black, varnish, and primer channels. Included within the design are magnetic linear motors on the X and Y axes, which the manufacturer says helps to ensure reliable movement across the workspace. The system, Durst adds, allows for “faster and simpler positioning without compromising on accuracy, even at high speeds.” Durst launches new P5 X printing system with online demonstration Printing manufacturer MUTOH has announced the release of a new 64-inch roll-to-roll printer, the XpertJet 1682UR. The UV LED machine is a dualhead, dual-lamp, six-colour UV LED printer, compatible with CMYK, white, and varnish inks. The machine can be equipped with either a 30kg motorised take-up system with start/stop linked to the printing, or a larger capacity 40kg take-up designed for overnight full-roll printing. One feature of the machine highlighted by MUTOH is its ability to print up to five layers in a single pass, with no need to pull back the media. This is designed to allow for special applications such as doublesided designs on transparent media, backlit/frontlit combination graphics, and the option of gloss or matte finishes. MUTOH releases new roll-to-roll printer The machine can print up to five layers in a single pass, with no need to pull back the media [L to R] managing director of SEDO, Andy McGuiness, and managing director of Guardian Displays, Anthony Booty The SC-S9100 is tailored for production houses engaged in general signage The P5 X has multitrack capabilities, supporting simultaneous printing on up to 12 channels
18 www.signlink.co.uk Issue 256 - December 2024 / January 2025 KIT & MEDIA / NEWS signlink signlink signlinkmagazine Kavalan range granted protective patent CMYUK has announced that TAYA Canvas (Shanghai), which CMYUK is the exclusive distributor of in the UK and Ireland, has been granted a protective patent for its Kavalan PVC-free range of banner materials. TAYA Canvas (Shanghai) is an extension (branch) of the TAYA Canvas Group in Taiwan, a producer and exporter of PVC coated materials for the signage industry. Kavalan is designed as an environmentally friendly alternative for the advertising materials market. TAYA reportedly dedicated 13 years to creating the Kavalan product line. Kavalan features a composite layer structure which provides fireproofing, waterproofing, and ink absorption capabilities, designed to ensure performance while reducing environmental impact. A base layer is made of high-density polyester fibres to provide high tensile strength. According to CMYUK, the product also does not produce toxic emissions when incinerated and is suited for waste-to-energy conversion processes. Should it enter landfill, it is designed to be degradable without leaching harmful substances into the land and water ecosystems. Robin East, group chief commercial officer of CMYUK Group, says: “The patent differentiates Kavalan from other materials by highlighting its unique features. It also reinforces Kavalan’s credibility and reliability, attracting environmentally conscious brands looking for certified green solutions.” The recently granted patent describes the product as “a multilayered digital print material that can be used outdoors, composed on a non-PVC substrate with multiple coating layers giving it fire retardant, waterproof, and ink adhesion properties.” The patent also highlights that Kavalan offers “a unique adhesion promoting structural layer technology that enables the product to be successfully welded.” Vincent Lin, vice president of TAYA Canvas, believes the patent can encourage wider innovation in the materials industry By Jonathan Pert Signage supplier Nathaniel Oliver and Associates has reassured potential customers that it will continue to supply its Modular Sign System (MSS) offering. In August, wide-format trade printer RMC Digital Print announced the purchase of the MSS division of Workshop2 Limited. Workshop2 Limited designed and marketed signage and display products, the aforementioned strategic acquisition meant a permanent cessation of the HB Modular Sign System (MSS) marketing, sales manufacturing, and supply by Workshop2. This included the stock of material, machinery, and the right to use and market the MSS product under the brand name ‘HB Modular Sign System’. Nathaniel Oliver assures customers of MSS availability Drytac, a manufacturer of self -adhesive materials for the signage and large-format markets, has announced the global availability of Paper Fleece Smooth following initial success in the UK. The company says the product has been “hugely successful” since its release and has been globally available since October. The non-woven paper fleece wallcovering is PVC-free and is made for applications in homes, retail stores, hotels, and offices. Drytac says the photorealistic print quality produces “sharp, detailed graphics with quick drying times”. The product is compatible with eco-solvent, latex, and UV printers and has a smooth satin finish and a repositionable, permanent adhesive back by an air egress release paper. The adhesive back allows for bubble-free application and repositioning. Global availability of Paper Fleece Smooth announced by Drytac Wicked Brick, a producer of display solutions for collectable items such as LEGO, Funko Pops, Hot Toys, and pin badges, has invested in a Fujifilm Acuity Prime from Soyang Hardware. The Acuity Prime is a flatbed printer which offers the latest LED UV wide-format printing technology and has given Wicked Brick the chance to meet the evolving demands of its clients. After attending a demonstration of the Acuity Prime at Fujifilm’s Broadstairs site, the Wicked Brick team was able to witness the machine’s ability to produce premium UV backgrounds, bases, and “intricate” designs on acrylic, which has boosted the way the company produces it products. Fujifilm helps elevate collectable items Antalis has announced the introduction of 40 new finishes to its Coala Interior Film range of self-adhesive architectural vinyls. The vinyl coverings are designed to be adaptable to a range of different surfaces. Applications include the redesigning of office spaces, hotels, business premises, and shops. The new finishes are part of four new collections, each with specific technical features. The complete range includes over 520 options. The ‘PVC-Free’ collection is made from polypropylene rather than plastic products, aiming to offer a more environmentally responsible choice without compromising quality or aesthetics. According to the company, the range is “designed to reduce carbon footprint by up to 30%”. The updated collection comes with 15 new finishes, including wood, colour, concrete, and stone finishes. Antalis expands its Coala Interior Film range Paper Fleece Smooth is now available to customers in regions beyond the UK The Modular Sign System (MSS) is a flexible interior signage solution Wicked Brick has been able to produce detailed backgrounds for its cases with the help of the Acuity Prime
PEOPLE / NEWS 20 Issue 256 - December 2024 / January 2025 www.signlink.co.uk Tom Gent joins CMYUK CMYUK has announced the appointment of Tom Gent to its team as a senior service and installations engineer. Gent will be primarily working with the JWEI JCUT digital cutting tables and EFI industrial printing technology. Gent previously worked as a field engineer at digital cutting manufacturer Zünd for seven years, working on Zünd’s Q-Line cutting systems. Prior to joining Zünd, Gent worked as an engineer and technical manager in the printing sector for companies including Autobond and CWE Solutions. As part of the role, Gent will report directly to Neil Roberts, manager of CMYUK’s service department. Speaking of the appointment, Roberts comments: “Tom Gent is an excellent addition to our team. His vast knowledge and experience in both printing and finishing technologies make him a perfect fit for CMYUK’s service division. “This department [service department] continues to grow in response to the increased demand for our solutions, and having Tom on board further strengthens our ability to provide the highest level of customer support.” Speaking of his new role, Gent says: “I'm really excited to be joining CMYUK. The company has built an outstanding reputation for innovation within digital print production, and I’m proud to be part of a team that's truly shaping the future of the industry. “I'm looking forward to working with the wide array of cutting-edge equipment that has reset expectations across the entire workflow.” Key appointments made at 75Media Out-of-home (OOH) company, 75Media, has appointed four women to its national team as part of a wider company expansion. The new hires are joining as national and international account directors and will be responsible for driving growth for clients, creating partnerships, and providing creative solutions for the company’s outdoor campaigns. Three of the hires will be national account directors, namely Lucy Bendall, Lydia Collins, and Carla Zonfrillo. Bendall has a reported two decades of experience in the field, most recently spending five years at outdoor advertising company, Clear Channel, where she was part of the Bright Sparks talent development programme. Collins has 16 years of media sales expertise with 12 years spent in the OOH industry. Previous experience includes work at Clear Channel, Worldcom OOH, Alight Media, and Exterion Media, which was purchased by Global Media in 2021. Zonfrillo has 20 years of experience in radio and OOH advertising. She most recently worked at Global Media, handling both public and private sector clients. Rounding up the new hires is Holly Watson, who takes on the role of international account director. Watson’s experience includes working at News UK in traditional and digital ad sales, before joining the world of OOH teams at Alight Media, Kinetic, Rapport, and now 75Media. 75Media, headquartered in Leeds, recently acquired 595 new classic 48-sheet roadside OOH billboards, increasing its total estate to almost 1,200 billboards in total. Speaking of the new hires, Chris Ball, business director of the 75Media national team, says: "It’s an absolute pleasure to welcome Lucy, Holly, Carla, and Lydia to the team." [L to R] three of the new hires at 75Media; Lydia Collins, Holly Watson, and Lucy Bendall Gent previously worked as a field engineer at digital cutting manufacturer, Zünd By Jonathan Pert By Jonathan Pert Drytac promotes new operations manager Self-adhesive materials manufacturer, Drytac, has promoted Kieran Blacknall to the position of operations manager. Blacknall joined the Bristol-based manufacturer in July 2023 as academy manager. His previous experience includes several management roles within the print industry including operations manager at Minuteman Press Bath. In the operations manager role, Blacknall will oversee day-to-day operational activities at Drytac and will play a major role in the company’s strategic planning. Speaking of the appointment, chief executive officer of Drytac, Hayden Kelley, comments: “His collaborative approach and commitment to fostering a positive workplace has enhanced our team dynamics and productivity. We are confident that Kieran’s leadership will greatly benefit our teams and help drive Drytac to new heights.” KGK Genix announces new marketing director Wide-format print and display solution provider KGK Genix, has appointed Colette Cooper as its group marketing director. Cooper arrives to KGK Genix with over 20 years of experience in marketing, brand development, and strategic communications. According to the company, she will be “instrumental in driving the company’s marketing strategy and amplifying KGK Genix’s position as a leader in the wide-format print industry.” KGK Genix, which has its headquarters in Harlow, Essex, offers print solutions for clients across sectors including retail, exhibitions, signage, and commercial printing. Speaking of her appointment, Cooper says: “I am thrilled to join KGK Genix at such an exciting time.” Colette Cooper, KGK Genix's new group marketing director Kieran Blacknall, newly appointed operations manager at Drytac signlink signlink signlinkmagazine
email: editor@signlink.co.uk DIGITAL / NEWS LG reports operating loss in signage division LG Electronics (LG) has announced strong third-quarter 2024 financial results, despite an operating loss for the arm of the business responsible for the sale of OLED signage. The South Korean manufacturer announced a third-quarter consolidated revenue of KRW 22trn (£12bn) and an operating profit of KRW 751.9bn (£420m). The revenue is apparently the highest ever for the company in its third quarter, and the operating profit is the fourth highest in the company’s history. However, LG Business Solutions, which is responsible for the sale of the company’s OLED signage, reported an operating loss of KRW 76.9bn (£43m) in the same quarter, despite a revenue of KRW 1.40trn (£784m). The company has listed increased logistics costs and intensified competition among the reasons for the loss. The reported operating loss expanded significantly from the previous year, although revenue in fact grew year-over-year. The company has predicted that in the fourth quarter demand for LED signage is expected to grow by double digits compared to the same period last year. The aim is that this growth will offset third quarter losses. According to market research released by advisory group Omdia, overall sales of OLED TV panels are forecast to reach seven million units in 2024, up a third from 2023. Sales growth of OLEDs is expected to increase to roughly ten million units by 2030. LG Home Entertainment, responsible for the sale of commercial TVs, reported stronger results. Revenue increased by 5.2% compared to the same period last year, driven by increased shipments in Europe, a key market for OLED TVs. In September, LG Business Solutions has demonstrated a range of new solutions including transparent OLED at an event hosted by social impact and sustainability consultancy company, ThinkBeyond. The transparent OLED signage was showcased for the first time in the UK at the event. With what has been labelled as “self-lighting pixels”, the displays are said to maintain vivid colours and a high contrast ratio even when they become transparent. The screens can also be equipped with a PCAP touch sensor film. The transparent film can be applied to a glass or acrylic surface to create a touch screen. Brands go back in time for Gladiator II To tie-in with the release of Gladiator II, London’s worldfamous Piccadilly Lights sent brands “back to 211 AD”. Picadilly Lights imitated a ‘frieze’, a Greek piece of architecture most well-known for adorning columns and sitting below rooflines with sets of detailed carvings. The stunt was created by Wavemaker and Paramount Pictures along with DOOH.com, Ocean Outdoor, Mindshare, Publicis One, OLA, and Cheil. Featured on the multi-brand advertisement was Samsung, which advertised its new Neo QLED television with the tagline “colossally entertaining”, as well as TKMaxx or ‘TKMaxximus’. The screen also showed artwork of a chariot rider alongside the tag line: “Great Journeys start with Trainline” and a 3D depiction of someone building a LEGO model of The Colosseum with the line: “Finally something you can build in a day”. Gladiator II, which is a sequel to the multi-award winning 2000 film, Gladiator, stars Paul Mescal, Pedro Pascal, Denzel Washington, Derek Jacobi, and Connie Nielsen, who reprises her role from the first film. By Jonathan Pert “Record-breaking” LED wall installed at Red Bull Racing headquarters PPDS, the exclusive global provider of Philips Professional Displays, has announced the installation of a “record-breaking” Philips dvLED wall inside Oracle Red Bull Racing’s (Red Bull) headquarters. Measuring 46.25m x 2.75m, the horseshoe-shaped Philips Public dvLED wall is quoted by PPDS as being “the largest dvLED wall installed in an indoor events space in Europe.” The wall is designed as the centrepiece of the main auditorium at the MK-7 events space, located within the Red Bull Racing Technology Campus. The digital out-of-home (DOOH) display is the backdrop to an expansive display of Red Bull’s Formula 1 cars lined up at the space. The MK-7 venue, based in its Milton Keynes headquarters, operates as an events space and museum, with a range of racing memorabilia, artefacts, and championship-winning cars. The collection of F1 cars on display spans from the racing team’s F1 debut in 2005, and includes seven championship-winning vehicles. The largest profits for LG came from the Home Appliance and Home Entertainment arms of the company 21 Issue 256 - December 2024 / January 2025 www.signlink.co.uk
UNDER THE HOOD / VERVE LED 2513 24 Issue 256 - December 2024 / January 2025 www.signlink.co.uk India would not necessarily be what you expect as the home of a leading press manufacturer, yet you would be wrong holding such an opinion. ColorJet is the country’s larger producer of digital inkjet printers which offer a wide range of products including textile, signage, eco solvent, and UV printers. The ColorJet Group was founded in 1995 and since then it has invested significantly in man hours and money to bring to market fifteen new and high technology products over eight years. Due to this innovation the company has been recognised by the Department of Science & Technology of the Indian government. From its stable of printers we take a look at the Verve LED 2513, one of the wide-format printers which ColorJet claim can print on also most any rigid substrate including wood, glass, leather, ceramics, and all types of plastic sheet or board. Colour Overload One of the USPs of the Verve LED 2513 and in fact any of the others in the range, is the combination of colours and modes that will allow for a very wide range of colour lay down. To understand the configurations, first the model breakdown needs to be understood. The Verve LED 2513R5 can have between two and nine printheads which can deposit ink at seven picolitres. The second in the range is the Verve LED 2513R6, which can have three to nine printheads, this time with a capacity of five picolitres. The detail in the combination of heads is the choice between either the GEN5 or GEN6 printheads which will obviously give you differences in speed of production and or resolution — this giving the R5 or R6 suffix to the model numbers. The speeds can also vary depending on how many heads are deployed of each version, but in bare facts, the speed ranges from 12m2/hr up to 68m2/hr when you have select GEN6 heads in three rows. Depending on mode and head/row selection, the DPI varies between 635 x 600 up to 635 x 1200. The Ricoh printheads have for a long time been the industry benchmark for quality printing and it makes an obvious choice for ColorJet. The main difference between each head being the volume of ink that can be deployed at the same DPI with the GEN6 version having more capacity then GEN5. As for colour, the Verve LED 2513 can print in the standard process set of CMYK along with a white and varnish. There can be issues with white inks, as the industry and users know the pigmentations within white ink can suffer from settlement. All the inks and coating are cured with the use of a LED drying system, meaning the product is dry on production. If this is not attended to, the pigments can block tubing and ink jet heads causing both damage and poor print reproducibility. ColorJet have designed into the Verve LED 2513 a white ink circulation system which moves the ink within the system which stabilises the ink and avoids the pitfalls of white ink. A further design feature of the Verve LED 2513 is what ColorJet call the Dual Negative Pressure System for separate white and colour ink supply. The system has a display which shows the pressure in the supply for greater print control and productivity. Finally, do not be concerned that you Colour Combinations India’s biggest manufacturer of digital printers, ColorJet, has a number of flatbed printers to match any appetite for solid substrates, the Verve LED 2513 is one of those choices The ColorJet Verve LED 2513 comes with a choice of GEN5 or GEN6 printheads
four-zone vacuum system which can be switched on or off where required on the side of the machine. This has a number of advantages; the issues with vacuum supply are well known and there is a dramatic drop off of pressure should air inlets be open to the atmosphere. By being able to reduce how many are doing this, will greatly increase the vacuum pressure where it is needed, in turn giving greater draw down to the substrate. Holding it is not the only aspect to consider – where it is held is equally important. To ensure the substrate, specifically for multiple prints, is consistently reproduced the vacuum table has a series of holes and stops. This means the pins can be located on the plate for the substrate to be located against, firmly securing it where it is required. Static can be a major issue on materials which tend to retain it or with the passing of the print head, stimulate the production of it too. To counteract this, as it can greatly affect the deployment of the inkjet process, ColorJet has as an optional static suppression system which will greatly reduce the charge. Moving Swiftly On The head itself is held above the table on a large and well-designed overarch which ensures no matter how far across the print head travels, there is no change in height, which can change the printed outcome. Driving the heads are two servo motors which seamlessly sweep the head across the table. There are always going to be instances where the head could come into contact with the substrate. To avoid this damaging the head itself, there is an anti-crash sensor system which will stop the head on a sixpence and stop likely damage. If the printhead moves too far to the left or right of the printer itself, there are hydraulic stoppers to protect it. As we outlined in the introduction, India may not be the first place you would consider exporting graphic equipment from, but thankfully there are sellers more close to home like Quality Print Services (QPS) to help you out. need to constantly monitor the volumes of ink in the printer. ColourJet has designed a low ink volume alarm to alert staff there is a need to replenish the printer with new ink; this is particularly helpful when running with reduced manpower. Holding on Tight The colour and print heads are just one aspect of the package, without equal control of the substrate all the investment in time and energy is for nothing. So, what do ColorJet do to ensure the substrate stays exactly where it is needed? The printer has a large plate for substrates up to 2.56 x 1.68m in area and 100mm thickness. This means the nature of what is to be printed can be almost endless. Regardless of the thickness, the material is held flat and secure by a Brian Sims Principal Consultant, Metis Print Consultancy, www.metis-uk.eu K2513R5 K2513R6 Print heads 3 to 9 (7pl) 3 to 9 (5pl) Media size 2.56 x 1.68m Media thickness 100mm max Printable area 2.5 x 1.22m Colours CMYK, W, & Varnish Resolution 1,200 dpi Statistics ▲ There is a number of combinations of heads and modes to ensure a balance of volume and quality can be attained 25 Issue 256 - December 2024 / January 2025 email: editor@signlink.co.uk UNDER THE HOOD / VERVE LED 2513
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